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                  <text>&lt;span&gt;Colección documental de Paulina Beltrán Henríquez, titiritera y gestora teatral. &lt;/span&gt;&lt;span&gt;Los registros son testimonio de su trayectoria artística y sus procesos de creación desarrollados desde Valparaíso, Chile. La colección forma parte de la investigación "Huellas de creación, territorios y oficios: colección de archivos de mujeres de las artes escénicas en Chile", financiada por el Fondo Nacional de Fomento y Desarrollo de las Artes Escénicas, Convocatoria 2021. Su objetivo es conocer y visibilizar a mujeres creadoras de las Artes Escénicas.&lt;/span&gt;</text>
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                <text>Muñecos de obra por estrenar </text>
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                <text>Fotografías en las que se presentan los personajes de la última obra que está creando Paulina Beltrán junto con Teatro el Faro. Estos corresponden a una niña llamada Killary y una llama, ambos confeccionados por Paulina.</text>
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                <text>1986-1987</text>
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                <text>Fotografías que retratan una actividad de expresión realizada en la población Robert Kennedy, comuna Estación Central en Santiago. Estas fotografías fueron guardadas por Domingo Araya Bartolomé, actor y director de la compañía Teatro Periplos, quien participó de estas experiencias barriales en su juventud temprana.  En la fotografía Domingo se encuentra al centro aplaudiendo, en primer plano Joel Paz, monitor del grupo, artesano y titiritero.&#13;
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                <text>Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.</text>
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                <text>Estación Central, Santiago</text>
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                  <text>El Proyecto Huellas de creación busca investigar y difundir los procesos de creación de compañías de teatro chilenas de la escena actual. Por medio de una metodología de archivo, se propone recopilar, analizar y exhibir sus modos de producción, sus búsquedas artísticas y propuestas estéticas.</text>
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